Is the eye and pyramid a masonic symbol?
No.
Of the four men involved in designing the USA seal in 1776, only Benjamin Franklin was a freemason, and he contributed nothing of a masonic nature to the committee's proposed design for a seal. The committeemen were Benjamin Franklin, Thomas Jefferson, and John Adams, with Pierre Du Simitiere as artist and consultant.1
Du Simitiere, the committee's consultant, and
a non-mason, contributed several major design features that made their way into the ultimate design of the seal: "the shield, E Pluribus Unum, MDCCLXXVI, and the eye of providence in a triangle."2
Congress declined the first committee's suggestions as well as those of its 1780 committee. Francis Hopkinson, consultant to the second (1782) committee, used an unfinished pyramid in his design. Charles Thomson, Secretary of Congress, and William Barton, artist and consultant, borrowed from earlier designs and sketched what at length became the United States Seal.
None of the final designers of the seal—William Baron, Charles Thomson, Sir John Prestwick—were freemasons.
"The single eye was a well-established artistic convention for an 'omniscient Ubiquitous Deity' in the medallic art of the Renaissance.
In 1614 the frontispiece of The History of the World by Sir Walter Raleigh showed an eye in a cloud labeled "Providentia" overlooking a globe.
Du Simitiere, who suggested using the symbol, collected art books and was familiar with the artistic and ornamental devices used in Renaissance art."3
The all-seeing eye of God is noted several times in the Christian Bible:
Psalm 32:8 I will instruct thee and teach thee in the way which thou shalt go: I will guide thee with mine eye.
Psalm 33:18 Behold, the eye of the LORD is upon them that fear him, upon them that hope in his mercy;
Ezekiel 20:17 Nevertheless mine eye spared them from destroying them, neither did I make an end of them in the wilderness.
The misinterpretation of the seal as a masonic emblem may have been first introduced a century later in 1884. Harvard professor, Eliot Charles Norton (1827-1908), wrote that the reverse was "practically incapable of effective treatment; it can hardly, (however artistically treated by the designer), look otherwise than as a dull emblem of a masonic fraternity."4
The first "official" use and definition of the all-seeing eye as a masonic symbol seems to have come in 1797 with The Freemasons Monitor of Thomas Smith Webb — 14 years after Congress adopted the design for the Seal: "...and although our thoughts, words and actions, may be hidden from the eyes of man yet that All-Seeing Eye, whom the Sun Moon and Stars obey, and under whose watchful care even comets perform their stupendous revolutions, pervades the inmost recesses of the human heart, and will reward us according to our merits."5
The eye inside of an equilateral triangle, point up or down, has often appeared in Christian art. "It is often placed high above the alter as in the Pfarrkirche at Gmunden am Traunsee (1626) and the Fisherman's church at Traunkirchen, while it appears over the doorway of the church of the monastary of St. Florian near Linz." 6
Neither the eye nor the pyramid have ever been uniquely masonic symbols, although a few Grand Lodge jurisdictions incorporate them into their seals.
The combining of the eye of providence overlooking an unfinished pyramid is a uniquely American, not masonic, icon. There are no available records showing the all-seeing eye, with or without a pyramid, associated with freemasonry prior to 1797 and none at all related to the Bavarian Illuminati.
While the eye and pyramid icon is clearly not masonic nor derived from any real-world usage other than the American Great Seal, conspiracy theorists are quick to point out that it, or variations of a circle inside a triangle, often appears in corporate logos.
In popular fiction a stylized eye and pyramid, or some version of a single eye, is a common visual shorthand for power, secrecy, conspiracy or control. The intent of the creators of films and television programmes, in utilizing these icons, can only be a matter of conjecture. It is quite probable that conspiracy theorists and the visual arts are simply feeding off each other.
As an example, the otherwise credible author Gerald Suster (d. 2001) repeatedly, and without citation, in his history of the Hell-Fire Club asserts that the eye and pyramid are both Illuminati and masonic symbols.7
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Excerpted, in part, from The Eye in the Pyramid by: S. Brent Morris in a Masonic Service Association Short Talk Bulletin.
1.Robert Hieronimus, America's Secret Destiny (Rochester, Vt.: Destiny Books. 1989), p. 48.
2.Patterson and Dougall in Hieronimus. p. 48.
3.Hieronimus. p. 81.
4.Hieronimus. p. 57. prob. source: The history of the seal of the United States, United States. Dept. of State. Washington, D.C., Dept. of state, 1909. 72 p. front., plates (partly col.) 26 cm. LCCN: 09035613
5.Thomas Smith Webb, The Freemasons Monitor or Illustrations of Masonry (Salem, Mass.: Cushing and Appleton, 1821), p. 66.
6.Symbols, Signs and their meaning and uses in design Arnold Whittick. London: Leonard Hill, 1971. ISBN 0 249 44028 8. [p. 239.] Fig. 43 (c) Symbolic eye from painted bedhead, 1843; also on wardrobe, 1748, in the Kasererbrau Hotel, Salzburg. The eye is set in a triangle with the sun's rays is a common symbol in Renaissance churches in Austria. [p. 242.] Also see Eugène Goblet Count D'Alviella's La Migration des Symboles Paris: 1891; eng trans. intro. by Sir G. Birdwood, London: 1894.
7.The Hell-Fire Friars, Gerald Suster. London : Robson Books, 2000. ISBN: 1 86105 345 2. pp. 162, 167, 209."
Quelle:
http://freemasonry.bcy.ca/anti-masonry/anti-masonry02.html#eye_pyramid
